“Perhaps we dont like what we see: our hips, our loss of hair, our shoe size, our dimples, our knuckles too big, our eating habits, our disposition. We have disclosed these things in secret, likes and dislikes, behind doors with locks, our lonely rooms, our messy desks, our empty hearts. Don't worry... There is someone right here who knows you more than you do, who is making room on the couch, who is fixing a meal, who is putting on your favorite record, who is listening intently to what you have to say, who is standing there with you, face to face, hand to hand, eye to eye, mouth to mouth. There is no space left uncovered. This is where you belong.”

- Sufjan Stevens


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I think cinema can get at the ineffable and the metaphysical in a way that’s very special. If a play is 80 percent auditory and 20 percent visual, cinema is the reverse. There are moments in film that can get to a place beyond words. Literally things that cannot be described by language—language is too limited. I think that we’re always interested in those kind of endings, trying to arrive at a place after 90 minutes of storytelling just for one breathless moment where the film is articulating something that you’ve always wanted to say but there haven’t been words for. This film is just taking you on this journey to arrive at this one truth that is unutterable.
BRIT MARLING
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commovente:

new york craigslist > personals > missed connections >
by Megan Falley

you were last seen walking through a field of pianos. no. a museum of mouths. in the kitchen of a bustling restaurant, cracking eggs and releasing doves. no. eating glow worms and waltzing past my bedroom. last seen…

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1050 "—You’re very poetic.
—No, just sad." — José Saramago, from Blindness (Houghton Mifflin Harcourt, 1998)

(Source: violentwavesofemotion, via the-eden-express)

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(by rosemary*)